St Paul’s Cathedral has been here for over 1,400 years. It has been built and rebuilt five times, and always its main purpose has been as a
place of worship and prayer.
St Paul's, with its world-famous dome, is an iconic feature of the London skyline. Step inside and you can enjoy the Cathedral's awe-inspiring
interior, and uncover fascinating stories about its history.
Learning & Faith
Lifelong learning is a core part of the our work, delivered through a variety of events by St Paul's Institute, and the
Cathedral's Adult Learning and Schools & Family Learning departments.
History & Collections
For more than 1,400 years, a Cathedral dedicated to St Paul has stood at the highest point in the City. The present Cathedral is the
masterpiece of Britain's most famous architect Sir Christopher Wren.
Behind the scenes, the cost of caring for St Paul's and continuing to deliver our central ministry and work is enormous and the generosity of
our supporters is critical.
Widely considered to be one of the world’s most beautiful buildings and a powerful symbol of the splendour of London, St Paul’s Cathedral is a
breathtaking events venue.
Music by the Organist of St Paul's Cathedral can now be heard at a cinema near you, thanks to an out-of-the-blue
invitation to play for the most talked-about movie of the moment.
The Grand Budapest Hotel, released in the UK last week, tells the story of a concierge at a famous
European hotel in the 1930s who tries to clear his name after being framed for murder.
The film's cast list is as grand as the hotel itself, with names such as Ralph Fiennes, Adrien Brody, Willem Dafoe, Tilda Swinton, Jeff Goldblum,
Bill Murray, and Harvey Keitel all making an appearance.
But further down the credits you will also see Simon Johnson, Organist of St Paul's Cathedral. And Simon's appearance on the film's
soundtrack, scored by Alexandre Desplatt, came as quite a surprise.
Simon said: "I received a call from an artist booking agency in August 2013 saying that they needed an organist at short notice. The
director, Wes Anderson, wanted a pipe organ involved in the score. So a couple of days later I turned up at St Jude's Church in Hampstead and, to my surprise, the director was there
"He took a great interest as I explained to him how the organ works and the different sounds it can make, and at various points in the
session he asked for some of the specific sounds I had demonstrated to him. At another point he even sang a counter-melody that he
wanted me to include, which I hastily notated.
"Best of all, though, I was given a ride home in a very swanky chauffeur-driven car."
Simon can now add this brush with Hollywood to an impressive CV which includes playing at the Diamond Jubilee Thanksgiving Service in 2012 and
the funeral of Baroness Thatcher in 2013.
Simon's latest CD of works by César Franck can be bought here