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Revd Canon Dr Neil Evans
Written reflection
Lent
Prayer

On Prayer

Neil Evans reflects on prayer for the season of Lent.
Man at piano directing parents and children

Our musicians

Behind our fantastic musical programme is a dedicated team of musicians, performing, planning services, conducting, teaching our choirs and much more.
Carris, a white woman with auburn hair and glasses, stands in the cathedral, the lights of the nave and the decorative ceiling blurred in the background behind her.
Written reflection
Easter
Good Friday
Music

Music for Good Friday and Easter

Singer Carris Jones writes about music that illuminates the mystery and meanings of Good Friday and Easter.
Anupama is a young Asian woman with dark hair
Written reflection
Community
Creation
Environment
Nature

A season for enchantment

Anupama Ranawana considers how we can become re-enchanted with Creation this Creationtide.
Cally is a white woman with white hair and glasses wearing a clerical collar under a black shirt and grey tweed jacket. She is in front of a mantlepiece decorated with card, framed photos and an Icon, and a lit log burner. She is smiling.
Written reflection
Mary

Mary

Cally Hammond reflects on Mary, Mother of Christ, for the month of May.
Patrick has short grey hair and a grey beard, wears a black suit and shirt and faces to the left
Written reflection
Christmas
Epiphany
Music

Gifts and Stars: Epiphany reflections

Patrick Craig writes about the rich and surprising gifts that Epiphany, the culmination of the Christmas season, brings, and of its wonderful music.
A wrought iron stand of lit candles inside St Paul's Cathedral
Daily services
Free and unticketed

Morning prayer

Morning Prayer is a simple, short spoken service which takes place at 8.45 on Sunday. It lasts for around 25 minutes.
Every Sunday at 8.45am
Fig. 1. Engraving of the north elevation, probably by Simon Gribelin, c.1687–88, with cut-outs from a later engraving of the finished dome (St Paul’s Cathedral, SP105)

5. Designs for the Dome, c. 1685-1710

Wren’s revisions to the design in 1685–86 created a podium for a vast, richly modelled Dome, inspired by those of Michelangelo’s St Peter’s in Rome and Jules Hardouin-Mansart’s Invalides church in Paris.